Archive for August, 2008

Chai Apple Pie — A Collaboration

Sunday, August 31st, 2008

Lyn Bishop apple treeCreativity and collaboration are my passion. Often I find it strongest in the context of my art practice, however, when I stop to pay attention, I find it spilling over into all areas of my life, and it’s delicious.

Take last night, for instance. My best friend and I were sitting under my apple tree, sampling the juicy and sweet fruit. I mentioned that I was unsure about cooking with these apples, as they weren’t very tart. (more…)

Lenticular, depth maps, and more links

Thursday, August 28th, 2008

Into the Void by Lyn BishopHere is a collection of links on interesting lenticular and 3D stories and artwork that I found recently. Enjoy:

Capturing 3D Surfaces with a Flash Camera: This short video explains new approaches to creating depth maps for 3D surfaces using only two photographs.

 A 3D Exploration of Picasso’s Guernica: Be patient while this animation by Lena Gleseke loads, as it is really nice exploration of a possible 3D space in which the painting could exist. (more…)

SIGGRAPH evolving

Thursday, August 21st, 2008

Continua: Erwin Hauer and Enrique RosadoI spent a few days at SIGGRAPH last week. The conference is evolving and trying out some new ideas in terms of redefining the attendee experience. Several large venues (Art Gallery, Studio, E-tech) were moved into a central location on the trade show floor. It created an interesting mash-up of activities together in one place.

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Tamarind Institute: Ready for a new home

Friday, August 8th, 2008

Tamarind Institute Print ShopMy art explorations in New Mexico are at an end, but before I fly out I’m able to visit the Tamarind Institute at the University of New Mexico. Tucked into an unassuming stucco building on Cornell Drive SE in Albuquerque, Tamarind has focused on restoring the art of lithography in the United States. It was established as a result of June Wayne’s visionary proposal submitted to the Ford Foundation in 1959.

Tamarind is dedicated to traditional lithography, a planographic process that depends upon the mutual repulsion of grease and water on a heavy slab of limestone. Once the artist has finished drawing with the greasy black pigments upon the limestone slab, an artisan printer takes over and chemically treats the stones to stabilize the image for printing. (more…)