Posts Tagged ‘Art’

Holiday Giving for the Arts

Friday, December 19th, 2008

Shakespeare Santa Cruz 2008 Holiday Performance Wind in the WillowsShakespeare Santa Cruz is on the verge of permanent shutdown. The 27 year old company is one of the countries best, and provides Santa Cruz and the community with culturally rich artistic performances to attend and enjoy.

The budget cuts inflicted upon the University of California system have required reductions of 1.1 million to the Arts Division, where Shakespeare Santa Cruz resides. This huge amount is in addition to previous cuts already made this year.

An urgent message posted to their website reads: “Our challenge is simply put – raise $300,000 in a week’s time or cease to exist. Talk about “to be or not to be”? The question is, can you help? Yes you can. Click here to donate immediately, or keep reading to get further energized! Do it NOW or forever hold your peace. (more…)

Tamarind Institute: Ready for a new home

Friday, August 8th, 2008

Tamarind Institute Print ShopMy art explorations in New Mexico are at an end, but before I fly out I’m able to visit the Tamarind Institute at the University of New Mexico. Tucked into an unassuming stucco building on Cornell Drive SE in Albuquerque, Tamarind has focused on restoring the art of lithography in the United States. It was established as a result of June Wayne’s visionary proposal submitted to the Ford Foundation in 1959.

Tamarind is dedicated to traditional lithography, a planographic process that depends upon the mutual repulsion of grease and water on a heavy slab of limestone. Once the artist has finished drawing with the greasy black pigments upon the limestone slab, an artisan printer takes over and chemically treats the stones to stabilize the image for printing. (more…)

Getting out of the studio in search of art

Tuesday, July 1st, 2008

Lyn Bishop photographs Su Blackwell Secret Garden at Hosfelt Gallery SF

I try to take at least a day a month to get out of the studio and see other art. It’s inspiring, and I often return to the studio with new ideas or solutions for work that I am in process with. For months now, I have been trying to plan a weekday gallery walk in San Francisco’s SOMA district. Finally, I made it happen, and had a very enjoyable art date with myself in the process.

Taking the train to San Francisco is easy, and with increasing gas prices and parking fees, it makes a lot of sense. There are many galleries within a walking distance of the Caltrains station, so I set off on foot to explore.
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Certificates of Authenticity required for prints sold in California

Wednesday, June 25th, 2008

Bishop Certificate of AuthenticityThe Los Angeles Times reports a lawsuit filed against the temporary Louis Vuitton boutique created to sell Takashi Murakami products in the Geffen Contemporary at the Museum of Contemporary Art. According to the Times, the Vuitton luxury shop failed to provide the collector with the proper documentation in the form of a Certificate of Authenticity for the the Murakami prints he purchased there.

Do you know what a Certificate of Authenticity is? Did you know that it is required by law to be provided upon collector request when purchasing a multiple in the State of California? Why should you care?

A Certificate of Authenticity, as defined by California Civil Code Section 1740-1745 is a written or printed description of the multiple sold, exchanged, or consigned by an art dealer.

A Multiple, as defined by this same California Civil Code is any fine print, photograph (positive or negative), sculpture cast, collage, or similar art object produced in more than one copy.

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Is it Art or Animal Cruelty?

Friday, May 23rd, 2008

Lyn Bishop photo of cat in Naoshima, JapanThis is the question I find myself asking recently as more and more curators and gallery directors are choosing to exhibit controversial and shocking art that involves the death of living beings at the hands of the artists they represent.

Let me be clear, I do believe that the artist has a role to play in holding up a mirror for society to study their own, often hypocritical and cynical, behavior in relationship to the darker sides of humanity. I also acknowledge that artists have a long history of using dead animals in their work. However, I draw the line when artists and curators exploit the killing and torture of animals for the publics’ entertainment and for their own profit and fame. (more…)